Reading the Psalms has been a gritty, invigorating romp.
Part of it has been the pure enjoyment of Robert Alter’s translation of the Psalms. Alter is a foremost Hebrew scholar, and though I’m sure our views differ on many things, he does a wondeful job of catching the pithy Hebrew rhythms of the Psalms, which is the goal of his work. I came to realize I had never really experienced the Psalms until I did so in Hebrew for the first time some twenty years ago. Alter does the best I’ve seen of someone actually catching those Hebrew movements in English.
Though he lauds the beauty of the classic rendering of the King James Version, ultimately he finds it wanting for the simple reason that it is, well, too pretty. The Psalms are not pretty prayers and praise-pieces. They are pithy and pointed and rough, a gutteral sampling of the Hebrew psyche in prayer and worship. They are not refined poetic set-pieces of theology and devotion, they are a roiling and rolling expression of humanity grasping and gasping after God in the midst of a life that all too often makes little sense. More earthy than heavenly – or perhaps better, heavenly glories expressed in earthy rhythms. Heaven meets earth in a sloppy wet kiss. The line from the popular song has stirred more than a few frowns, but it’s not a bad description of the messiness and untidy nature of these ancient Hebrew songs. They are real. As a child I remember being struck by the oddity of seeing men get up to lead congregational prayers and witnessing their voice change and their words suddenly sound very unlike themselves at all. Such men could be reciting and praying seemingly Psalmlike with a King James’ air, but those listening in are hearing more of Shakespeare’s rhythms than the strumming of David.
Which stands as a reminder to me. Prayer and praise are not a performance public or private or otherwise. They are the gritty movements of our own heart and body and tongue as we like the deer pant after the living God in moments high and low. No subject is off-limits, no emotion taboo. If it happens on earth, heaven bends to hear the earthy strains of prayer and praise that issue from it.
The book of Psalms is quoted in the New Testament more frequently than any other Old Testament book (Isaiah is a close second, as I recall). Which means that Jesus and Paul lived in these pages. These Psalms were their climbing companions. When we, like the disciples, would ask either of them to “teach us to pray” they both would ultimately point us here (note that the “Lord’s prayer” that Jesus taught his disciples to pray is just as pithy and pointed, which is why we have remembered and passed it on for nearly two millenia).
May our experience of the Psalms free us from the seeming devoutness of flowery sacred speak, and into the gritty and earthy movements of truly inspired prayer and praise and poetry marked by our own rhythms as we would dare open our mouths in answering speech to God.
"Haver" British usage: "to hem and haw." Scottish: "to maunder, to talk foolishly, to chatter, talk nonsense, to babble." Jewish: "a friend, chum, mate" - specifically someone willing to partner with you in grappling with truth and Word and life. Yep, I'm setting a high bar here...
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
Monday, January 3, 2011
Tuesday, November 30, 2010
when death comes
Okay, the title sounds a bit morbid, but this really is one of my current favorites from the heart and pen of Mary Oliver (thank you for introducing me to her a few years back, Katie!)...it's a long epitaph, but I would love to make it mine. It spurs me to life...
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
to buy me, and snaps the purse shut;
when death comes
like the measle-pox;
when death comes
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
and each name a comfortable music in the mouth,
tending, as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
When it’s over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.
I don’t want to end up simply having visited this world.
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
to buy me, and snaps the purse shut;
when death comes
like the measle-pox;
when death comes
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
and each name a comfortable music in the mouth,
tending, as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
When it’s over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.
I don’t want to end up simply having visited this world.
Monday, August 16, 2010
prophetic rhythms
Hear, you peoples, all of you; pay attention, O earth, and all that is in it,
and let the Lord GOD be a witness against you,
the Lord from his holy temple.
For behold, the LORD is coming out of his place,
and will come down and tread upon the high places of the earth.
And the mountains will melt under him,
and the valleys will split open,
like wax before the fire,
like waters poured down a steep place.
Immersed in reading the prophets now for the third week.
Jonah. Amos. Hosea. Micah.
And now the somewhat winding journey through Isaiah.
I am struck anew with just how foreign this all is, whether in Hebrew or English.
Rhythm and rhyme and passion pouring out
A prophetic fountain bursting off the page
Drenching me in metaphor and color and hyperbole
Valleys and hilltops, deep rifts and jagged peaks
Mad prophets carried about by the Spirit
Wildly slinging words like a crazed painter missing more than an ear
Unlike Baal’s prophets, no bloody gashes on themselves do they cut
No, rather, they fling out an endless supply of divine tears
Pain and anguish, desperation and heartbreak
A divine romance collapsing in a heap
The prophet finally falling, exhausted, voice fading, reddened eyes pleading
Does anyone even hear?
Does any care?
Why is our preaching so lame, so limp, so flaccid by compare? Spock-like we mount our pulpits and dissect our texts – and each other, for that matter. Flatlander words. Greekish, analytical, or, for those daring a different flavor, comedic and brash and loud like a bad salesmen with that noxious cologne, confusing volume with veracity as we push our product line.
Some say people are tired of talk, that people want deeds and not words (this of course does not keep us from offering our sermons still). But perhaps they are merely done with meager fare, with the retreaded and tired old sermons of our endless regurgitations.
But prophetic passion, unaffected, unabashed…to see it walk off these pages and into our streets…would we risk it? Would I risk it?
Would I risk the stones?
and let the Lord GOD be a witness against you,
the Lord from his holy temple.
For behold, the LORD is coming out of his place,
and will come down and tread upon the high places of the earth.
And the mountains will melt under him,
and the valleys will split open,
like wax before the fire,
like waters poured down a steep place.
Immersed in reading the prophets now for the third week.
Jonah. Amos. Hosea. Micah.
And now the somewhat winding journey through Isaiah.
I am struck anew with just how foreign this all is, whether in Hebrew or English.
Rhythm and rhyme and passion pouring out
A prophetic fountain bursting off the page
Drenching me in metaphor and color and hyperbole
Valleys and hilltops, deep rifts and jagged peaks
Mad prophets carried about by the Spirit
Wildly slinging words like a crazed painter missing more than an ear
Unlike Baal’s prophets, no bloody gashes on themselves do they cut
No, rather, they fling out an endless supply of divine tears
Pain and anguish, desperation and heartbreak
A divine romance collapsing in a heap
The prophet finally falling, exhausted, voice fading, reddened eyes pleading
Does anyone even hear?
Does any care?
Why is our preaching so lame, so limp, so flaccid by compare? Spock-like we mount our pulpits and dissect our texts – and each other, for that matter. Flatlander words. Greekish, analytical, or, for those daring a different flavor, comedic and brash and loud like a bad salesmen with that noxious cologne, confusing volume with veracity as we push our product line.
Some say people are tired of talk, that people want deeds and not words (this of course does not keep us from offering our sermons still). But perhaps they are merely done with meager fare, with the retreaded and tired old sermons of our endless regurgitations.
But prophetic passion, unaffected, unabashed…to see it walk off these pages and into our streets…would we risk it? Would I risk it?
Would I risk the stones?
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